The Wild Blog in the West

A little bird told me how Series Six went down, and how it most recently ended this past Christmas.  I won't blog about my impressions until after all episodes air in the United States, but with one or two exceptions, to say I was disappointed would be an understatement. Stay tuned.

Okay, that was a bad play on words, I admit.  Telltale's Game of Thrones is definitely not boring, even if at times it feels one note. For those who haven't played the game yet, there be spoilers below! What is Telltale's Game of Thrones ?  For the uninitiated, Telltale Games is a gaming company that produces graphic adventure series, many in multiple chapters.  Its Game of Thrones Season One follows House Forrester, bannermen to House Glover and Stark family loyalists.  In the books, House Forrester is mentioned in passing, little more than a hill clan.  In the episodic series, which follows the show, House Forrester is a minor noble house with the motto: "Iron from Ice." The story begins on the night of the Red Wedding, where the Forrester patriarch, Gregor the Good, is slain by deceitful Freys.  Before he succumbs, he gives his squire, Gared Tuttle, a mysterious message: "The North Grove must never be lost."  Gared returns to the Fo...

Happy Halloween, everyone! Maybe some day I'll work up the courage to watch an actual scary movie.  Until then, watching Republican presidential debates is enough. So what's new?  I'm steadily moving along with writing my second novel, the sequel to my Victorian novel Rage and Regret .  About 300 pages written, not as many as I'd hoped, but still steady progress.  One difficulty is that unlike the first novel, there are about 3-4 distinct plot lines I'm trying to steer to fruition, and not all of them are behaving properly. At some point soon, I will also need to refocus attention on peddling the first novel.  I had taken a break to focus on writing the second, because peddling a novel is such a job in and of itself, with all of the ups and downs that entails. I can't pretend that I will have time to update every week as I have in the past.  There's just too much on my plate.  However, I do hope to provide updates 2-3 times a month, on topi...

My sister loves Seinfeld .  I don't.  I don't get the brand of humor where people overreact to small incidents, usually incidents that aren't really that bothersome.  And yet, what does it say that I absolutely love movies that consist of people doing nothing but going crazy at small things? It goes without saying (but I'll say it anyway) that humor is highly subjective.  Reasons one person finds certain situations funny can be a complete mystery to someone else.  I can't fully explain why I'm such easy prey for the smart "stupid" movie, but I'm going to try. The smart "stupid" movie is usually part of the parody genre, which mocks movie trends and offers insights into the mindset of a specific era.  When done right, the smart "stupid" movie can leave you rolling on the floor with laughter, while also recognizing that the movie just gets it  somehow.  When done wrong, the smart "stupid" movie is just... stupid. ...

Beware of spoilers! Inside Out , Pixar's latest release, tells a surprisingly complex story of what goes on inside one girl's mind as she confronts major changes in her life.  Yet it could also serve as a study of how extroverts routinely undervalue introverts, to everyone's peril. The movie revolves around an 11-year old girl named Riley who has just moved from Minnesota with her parents to a run-down house in San Francisco (that probably cost $2 million *cough*).  Riley goes from perpetually happy-go-lucky to confused and withdrawn, in part due to the fact that her mental "control room" is in disarray.  That's because Joy, one of her five anthropomorphic emotions and the one who steers her reactions on a day-to-day basis, accidentally got sucked into Riley's long-term memory along with Sadness, leaving Fear, Anger, and Disgust to run the show.   Inside Out  chronicles Joy and Sadness's attempts to return to the control room to save Riley from f...

Have you ever wanted to play a video game, but didn't have the money or the time?  Thanks to the power of YouTube, you can see how that game is played, and then some. I first stumbled upon video game playthroughs, or walkthroughs, when I was looking for video on the famous S uper Mario Brothers "minus world."  If you've ever played the classic Super Mario Brothers , you may be aware that there are certain glitches in the game, and those savvy enough to exploit them can find themselves in, as they say, a whole new world: In case that wasn't weird enough for you, here is minus world in the Japanese version: But playthroughs aren't just for watching cool glitches in beloved classic video games.  They are also for watching entire video games and interactive stories.  For instance, when I was young, I beat Nintendo's classic game, Mike Tyson's Punch Out .  Years later, they came up with an updated version on Wii, which I don't own and don...

As I mentioned in my review, Pitch Perfect  was not exactly trailblazing cinema.  Nearly everything it did have been done before, sometimes better, by other movies.  What Pitch Perfect  had, however, was good chemistry between the characters, a relatively straight-forward plot, and energetic musical numbers.  None of which can be said for Pitch Perfect 2 . Pitch Perfect 2 is not horrible, mind you.  It's no Jersey Boys  or Rock of Ages .  It's not even Annie 2014.  However, it turned what was sort of fresh and fun into strained and tedious, which is why it is on the Wrong List. Plot Synopsis The Barden Bellas are the reigning champions of a cappella singing in the United States.  After Fat Amy has a "wardrobe malfunction" during a televised performance for President Obama, the Bellas are ordered to disband.  However, leaders Beca and Chloe convince the national a capella organization to reinstate the group if they become th...

I really don't intend to be so sparse with my blogging every month.  Really.  I've been mainly trying to catch up on writing my second novel (now over 200 pages!) and caught up in work.  Oh, and going gaga over the latest Game of Thrones episode, but I digress. I wanted to give a taste of future posts.  As always, they will be a mixture of pop culture and personal likes and dislikes.  One big change: I am officially extending the Movie Musicals That Got It Right/Wrong to the classic movies.  Originally I was planning to wait until I had reviewed movies in the more recent past before moving on to the classics, but why would I sit through The Producers , Nine , and God knows how many iterations of High School Musical  before I could review  My Fair Lady , West Side Story , or The King and I (I said classics, not that they were all good classics).  So I'm going to switch back and forth, and I'm sure no one else cared one way or the other, but ...

Spoilers for anyone who has not read A Feast for Crows or A Dance With Dragons, or the released chapters of The Winds of Winter. By now, viewers of Game of Thrones  can see that the show's creators are beginning to shift the story toward its end game, toward the final Ice Zombie Apocalypse and One Who Wins the Iron Throne.  The outcome of most characters is highly uncertain.  Will Daenerys Targaryen fly her way back to the Throne on dragon wings?  Or will Jon Snow forge his way to the Iron Throne through a phalanx of ice zombies?  Or will it be stoic, meticulous Stannis Baratheon?  Or (f)Aegon?  Or Sansa Stark?  Maybe some combination of the above, like Jon and Daenerys, or even Jon and Sansa.* Who do I think it will be?  Daenerys. She seems like the obvious choice, which in the A Song of Ice and Fire universe usually means she is marked for death.  And I would not at all put it past Martin or the show's producers to kill her off...

I gave my novel draft over to be critiqued by a professional editor, as I said I would do i n my last update .  While she had a lot of positive things to say about the story and characters, she had one major criticism: she did not like my female protagonist. I've gone into my novel and its characters in previous posts .  Suffice it to say, my character, Isabella, has a lot of issues.  She is young, angry, scared, and overwhelmed.  She responds by lashing out at those who don't deserve it, with some pretty terrible consequences.  As a result, she bears a life-long scar.  Though she reforms, by the end of the novel, her reformation is not complete.  And, to be perfectly honest, it will probably never be. Isabella is not my first "challenging" female protagonist.  For a pilot script I wrote some years ago, my female protagonist was also angry.  She had just lost her job and ended a relationship.  She finally bonded with her teenage n...

This is just a brief update.  Work has been grueling of late, I've been trying to write my one page per night, and damn those seasonal allergies.  Anyway, I thought it worth mentioning that I've put aside Bleak House  for now.  I was into it for a short while, but somewhere around the time the heroine met Mr. Jarndyce, or whatever his name, I stopped caring.  I'm not sure how many pages I am into the book... my Kindle tells me 8%.  I'll try again, really. Some observations: Dickens uses a mixture of styles that I had considered to be "modern" and hadn't really seen in other Victorian novels (though my catalogue is far from complete).  The first chapter begins almost like free-verse poetry, written by someone on crack: "As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill." Bo...

Growing up, I loved watching the original Twilight Zone  (1959-1964).  It was the perfect blend of creepy and thought-provoking, often portraying what happens when we take certain longings to their natural (or supernatural) conclusion. For Twilight Zone junkies, the classic episodes are almost too numerous to count.  However, the best of them tended to tap into our deep-seated fears and yearnings.  These include "Walking Distance," "The Monsters Are Due on Maple Street," "The Hitch-Hiker," and "A Stop at Willoughby." Yet while Twilight Zone  had that sort of universal appeal, it was hard to dismiss that its perspective was largely white, middle or upper-middle class, urban, and male.  The theme of an inordinate number of episodes was men longing to escape the constraints of their hectic modern lives, whether that involved escaping shrewish wives or modern urban life altogether.  The "ideal" world was one that likely never existed,...

Yes, another article about Disney's  Frozen .  At least it's relevant, given the recent premiere of the  Frozen Fever short and the announcement that there will be a Frozen 2 . While Queen Elsa's character in Frozen has often been compared to a lesbian coming out of the closet, her embrace of her icy powers could be metaphorical in other ways.  One such way could be an introvert learning to embrace her true nature... or conversely, learning to become an extrovert. Can Elsa's character arc be read either way?  To begin with, is Elsa an introvert?  Introverts are typically: reserved interested in big ideas rather than small talk needs to be alone to replenish after socializing thinks before he/she speaks prefers to observe rather than be the center of attention Some of this would definitely apply to Elsa both pre-Trauma (nearly killing her sister) and post-Trauma.  Even early innocent Elsa was more reserved than Anna, and she seemed more ...