Out of the Woods and Onto the Silver Screen: Sondheim’s Into the Woods Hits Theaters
I'm please to introduce guest blogger, Beth Kelly, who will give her take on Into the Woods, Sondheim, and other recent movie musicals.
As Sondheim and others like him know,
converting a musical into a film can be a bit like seeing your life’s work
chopped into pieces with a chainsaw. Sometimes, what works for a play doesn't
translate to the big screen. Audiences also expect different things;
theatergoers may be drawn to themes and storylines that are grittier than might
appeal to a larger audiences. The move from play to screenplay often sees
drastic changes in the dialog, and the musical numbers must be re-evaluated for
the screen as well. Despite initial
controversy, Sondheim
eventually found himself satisfied with the work the filmmakers had done
translating his work, even if there had to be some changes. No matter the
little tweaks, Into the Woods is a film that will thrill the youngsters while including enough veiled
innuendo to amuse the parents, all the while keeping everyone engaged in the familiar
fairy-tale story line.
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Theater
lovers and cinephiles alike are buzzing about the movie
adaptation of Stephen Sondheim’s musical Into the Woods. The play, which has
been running in some form for the better part of two decades, is a darkly
twisted take on some very near and dear fairy tales, Cinderella, Jack and the
Beanstalk, Little Red Riding Hood and Rapunzel. The plot twists and turns as
the audience sees the characters they thought they knew in a whole new way. The
movie, produced by Disney, stars well knowns such as Meryl Streep, Johnny Depp
and Emily Blunt.
Since "darkly
twisted" and "Disney" are terms at odds with one another, some
changes had to be made to the plot to make it a bit more family friendly. The
original story line follows the baker and his wife, trying to break the curse
of a witch so that they can have a child. The witch tells them that they have
to locate four ingredients to a potion for the curse to be broken, "the
cow as white as milk (from Jack), the cape as red as blood (from Little Red
Riding Hood), the hair as yellow as corn (from Rapunzel), and the slipper as
pure as gold (from Cinderella)."
The basic
plot, while it sounds like a ready-made Disney story, also includes some
details that had to be edited to make it more appropriate for family audiences.
In the play, Cinderella’s prince sleeps with the Baker’s wife, Rapunzel dies,
and Red Riding Hood and the wolf have a very sexually-inclined interaction,
none of which are going to appear in the movie adaptation.
Into
the Woods
isn't the only musical play that has been adapted to the big screen in recent
years. Other notable plays that have seen acclaim in the box office include:
Sweeney
Todd: The Demon Barber of Fleet Street
Tim
Burton’s adaptation of Stephen Sondheim and Hugh Wheeler’s musical stars Johnny
Depp, Helena Bonham Carter and Alan Rickman. Following Burton’s penchant for
dark themes, the storyline follows Sweeney Todd, a barber bent on
revenge as he kills the people who stand in his way. After he kills them, his
landlady, Mrs. Lovett, bakes them into meat pies.
Hedwig
and the Angry Inch
This musical comedy drama is based on a rock musical about a band
whose lead singer is a transgendered East German. Hedwig, born as Hansel, uses
rock music to help her navigate through the difficulties of love, politics and
a botched sex change operation.
Grease
Named for
the working-class youth subculture of “greasers” in 1950’s America, on
Broadway the production became infamous for its raw and raunchy depiction of
high school life. The film toned down much of the vulgarity, and it became one
of the most popular movies of the 1970’s - not to mention the highest-grossing
movie musical to date. Starring John Travolta and Olivia Newton John, it
received positive reviews from critics and even went on to spawn a sequel, Grease 2. Both are must-sees for anyone who hasn’t
already, luckily they’re easily streamable (click here for more info) and even available on YouTube.
Chicago
This
satire film focuses on the idea of the "celebrity criminal" as it explores
the corruption in criminal justice. The main characters, Velma and Roxie,
murderesses and vaudevillians, compete for attention and fame from both the
other inmates of the women’s prison and the world at large.
Beth Kelly is a freelance
writer based in Chicago, IL. A lifelong musical theater fan, she holds a degree
in Communications and Art History from DePaul University. In her free time she
loves watching obscure Lifetime movies and trying new smoothie recipes. Follow her on Twitter @ bkelly_88
The above image is used under the Fair Use Doctrine.
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